![Image detail of artist book made by artist Kimi Hanauer showing the book lying open. The right hand page is collaged image of broken text. The left hand side is a collage of text prominently featuring the first page of a legal document from The United States v. Bhagat Singh Thind.](/sites/default/files/styles/max_1300x1300/public/media/2018-05/All%20Allegiance%20%28detail%29%2C%20Kimi%20Hanauer%2C%202017.png?itok=s2nEIEEO)
Kimi Hanauer, All Allegiance (detail), 2017
Kimi Hanauer, All Allegiance (detail), 2017
The title of the exhibition is a fragment taken from a text by sociologist and anthropologist Pierre Bourdieu, The Rules of Art: Genesis and Structure of the Literary Field, which elaborates the linkages between notions of art and the sites where art is produced and received and has larger implications regarding positionality within a field. For Bourdieu, the field is an important concept, whether it is a field of meaning (like art) or a field of power (like politics); and it is within this network that various vantage points are inhabited, where subjects are constructed and meanings assembled.