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ACRE alum Cameron Granger and curatorial fellow Rohan Ayinde are a part of a three-person show with Joshi Radin at Annas!
Let us again pretend that life is a solid substance, shaped like a globe, which we turn about in our fingers. Let us pretend that we can make out a plain and logical story, so that when one matter is dispatched - love for instance - we go on, in an orderly manner to the next.
- Virginia Woolf, The Waves, 142
Waves in motion are all in which the universe consists: radio waves, sea waves, gravitational waves... Against an image of the whole Earth, a black hole, the near-constant wave of sense-impressions, where are we? How are we? When does the individual particle get to jump from the multitude?
When the granules of life are placed against the immensity of the universe and the perpetual drum of time, like the forever beat of a sea wave crashing on the shore, the sociopolitical quandaries which make up human existence lose their weight and the events which build a life appear random. Let us again pretend that life is a solid substance.
We find in our lives that the past is not yet past, it ruptures continually into the present — black holes, unresolved and unfolding. The Past’s many people, objects and thoughts, they, like us, are [still] alive in hydrogen, in oxygen; in carbon, in phosphorous, and iron; in sodium and chlorine.1
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