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ACRE Projects Lakeview
Mounting Tension presents three artists’ careful observations of disintegrating forms, which range from the political to the elemental. Through video and sculptural works, the artists address an ambient discontent present in the wake of an unhinged socio-political state, placing a contemporary American anxiety in the spotlight. Although history may suggest an inability to choreograph a collapse, each artist presents a unique approach for how one might observe it.
Courtney Mackedanz explores gestures of attempt in her performative and sculptural work, observing the unscripted movements that immediately follow a well-practiced act. Inspired by Olympic pole vaulting, Mackedanz traces how the sport embodies aspects of capitalism in its inherent hyperextension and embrace of potential damage. Elements of this research are explored in her included installation and videos which attempt to deconstruct the micro-movements associated with a vaulter’s exalted leap.
April Martin works with materials that morph over time, producing sculptures that change color, composition, or structure as they age in site-specific locations. Martin has long been interested in the scientific properties of copper, captivated by how it transforms into a brilliant shade of green when exposed to air or water. Each of Martin's sculptures presented here are composed from or laced with this element, including a trio of Miracle-Gro glazed vessels that will slowly leak their contents throughout the show’s duration.
Erika Råberg is a photographer and filmmaker who observes the subtle relationships built into environments from her past. Råberg includes two video works in the exhibition that both subtly analyze American values and our relationship to its early foundations. New Year’s Day 2017 observes airport passersby and their interactions and dismissals of a photo prop of the signing of the Declaration of Independence shortly after Trump’s election. Another video piece examines a historical war reenactment without providing visuals of the re-enactors. What’s left for the viewer is the overwhelming sound of gunfire, matched with nonchalant reactions from the action’s observers.